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30 Days In Sydney
Novelist Peter Carey draws the reader into a wild and wonderful journey of discovery and re-discovery of Sydney.
After living in New York for ten years novelist Peter Carey returned home to Sydney with the idea of capturing its ebullient character via the four elements. 'I would never seek to define Manhattan by asking my New York friends for stories of Earth and Air and Fire and Water,' he writes, 'but that is exactly what was in my mind as I walked through immigration at Kingsford Smith International Airport.'
Carey draws the reader helplessly into a wild and wonderful journey of discovery and re-discovery. Reading this book is a very physical experience, as bracing as the southerly buster that sometimes batters Sydney's beauteous shores. Famous visual extravaganzas such as Bondi Beach, the Opera House, the Harbour Bridge and the Blue Mountains all take on a strange new intensity when exposed to the penetrating gaze of Peter and his friends.
Thirty Days in Sydney offers the reader a private glimpse behind the glittering facades and venetian blinds. It will exhilarate and enchant all who visit.
About the Author
Peter Carey was born in 1943 in Australia and lives in New York. He is the author of the highly acclaimed selection of short stories, The Fat Man in History, nine previous novels, Bliss, Illywhacker (shortlisted for the 1985 Booker Prize), Oscar and Lucinda (winner of the 1988 Booker Prize), The Tax Inspector, The Unusual Life of Tristan Smith, Jack Maggs (winner of the 1998 Commonwealth Writers Prize), True History of the Kelly Gang (winner of the 2001 Booker Prize), My Life as a Fake, Theft, a book for children, The Big Bazoohley, and a work of non-fiction, Wrong About Japan.
Being Religious, American Style
Popular religion rarely expresses itself in the artifacts of high culture. In this book, Lippy approaches the study of popular religion by asking how ordinary people have gone about the process of being religious in America. Along the way, he examines popular religious periodicals, newspapers, novels, diaries, devotional materials, hymnals, promotional materials for revivals and camp meetings, religious tracts, as well as vernacular art and architecture, other artifacts, and, especially in the 20th century, radio, film, and television. He avoids the traditional focus on religious movements and institutions, choosing instead to illuminate the cultural impact of what people in America think and do when they are being religious by highlighting aspects of private life.
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